Essay: Feminine Masquerade

Sample Essay

The slasher films genre present the luminal, the grotesque, and the irrepressible in a manner to initiate their subsistence to modern society while at the same time immunizing the danger and reinstating classification through the finale of the film. This invigorating value of the horror movies clarify its reputation during periods of energetic variations as it forces culture to come face to face with its fiends, factually.

Carol Clover in her book Men, Women, and Chainsaw, points out some very major and notable concerns; the structural arrangement of what she notes as final girl concept in respect to spectatorship. While the majority of theorists mark the horror film genre as male-chauvinist or a male-centered type, Clover mentioned that it is the final girl in the end of the movie that structures the genre of male or female identification. It is this final girl who in the end survives and kills the threat along with the killer in most horror films. So while the descriptively main killer’s biased point of view may be male contained by the narrative, the male viewer is still searching for the final girl to conquer the slayer (Clover, 1992). We can see this working conventionally in Jamie Lee Curtis from Halloween in 1978, Jennifer Jason Leigh from Eyes of a stranger in 1981, Betsy Palmer from Friday the 13^th in 1980 and Heather Langenkamp from A Nightmare on Elm Street in 1984. In any case, Clover and other feminists divest themselves of great prospective substance with their close to limited reliance on American horror.

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